It's the underlying assumption, namely that an artist must have no external problems to freely create, which can paralyze an artist. If I were to wait until everything was calm and well-ordered with the bills all paid and everything 'happy' before I did my art, I would get nothing done. There's always something to worry about or distract me. At one point, I did only work when I felt like it, which meant I really didn't get a lot done, but now, I try to work no matter what else is going on. (I may bitch about all the non-art stuff to do, but I still do the art.) A number of artists I know are caught in this "I only work when I'm inspired" thinking and they always wonder how I get so much done. Maybe because I work when I'm less than inspired?
What really changed the situation for me was money. I know, artists are suppose to passionately create with no concern for money, but hey, I'm addicted to 3 meals a day and a roof over my head! A couple of years ago, my husband's truck blew the engine. It cost us about $25,000, which we had to put on credit cards. While we were struggling to avoid bankrupcy, it dawned on me that I couldn't be selfish and only work when I felt like it. We just couldn't afford that attitude, so I started to try to work everyday, no matter what. After some time, I could see the amount of work I was getting done and the small, but significant amount of money I was bringing in was really helping. From that time on, I have tried to work some each day. Presently, I've set up a goal of 3 hours per day of actually doing art and for most days, I easily reach my goal.
Now, this doesn't mean I don't take a day or more off, here and there. Like the other day, when I thought I was getting sick, I figured I would lose less time overall by resting for one day than getting really sick and losing a week. And on days when I just don't feel like working on a portrait, I set them asside and work on a still life or sculpture or even a woodblock print. (This is one huge advantage of doing multiple media!)
Anyway, despite being less than 100% yesterday, I did manage to finish off a portrait. For some reason, I don't get many commissions for people in pastel -- lots of pets, but not people -- so when I do have one, they make me nervous. But I really think this one came out quite well!
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